DVDpedia : Library : Title : E

Theatrical: 2008

Studio: DreamWorks SKG

Genre: Action, Mystery, Thriller

Duration: 118

Summary: Jerry Shaw is an amiable slacker with an over-achieving twin brother. After his twin dies in an accident, strange things happen to Jerry at a dizzying pace: a fortune shows up in his bank account, weapons are delivered to his flat, and a voice on his cell phone tells him the police are on their way. Jerry follows the voice's instructions, and soon he and a woman he's never met are racing through the city, on to a plane, and eventually to the Pentagon, chased by the FBI. She is Rachel Holloman, a single mom; the voice has threatened her son's death if she doesn't cooperate. The voice seems to know everything. Who is behind it, what is being planned, and why Jerry and Rachel?

Theatrical: 2007

Studio: British Broadcasting Corporation (BBC)

Genre: Documentary

Duration: 60

Summary: In each episode, geologist Dr. Iain Stewart explains the effects and importance of a specific force of nature, such as wind or volcanism. He also examines the various ways in which it shapes planet earth itself and influences life on it, often in conjunction with other natural forces, and sometimes with lifeforms, as in the 'apocalyptically' grave case of global warming.

Theatrical: 1972

Studio:

Genre: Documentary, Music

Duration: 54

Summary:

Theatrical: 1994

Studio: Touchstone / Disney

Genre: Comedy

Duration: 127

Summary: Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in black and white, just like Wood's creations, this stylized, witty production captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful "Plan 9 from Outer Space" looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. "--Rochelle O'Gorman"

Theatrical: 2005

Studio: Film Center of the National Museum of Modern Art

Genre: Documentary

Duration: 730

Summary: A history of the Edison Company, the pioneering film production company begun by Thomas A. Edison. Included are more than 140 complete films produced by the company between 1891 and 1918, along with interviews with film historians and archivists, and commentary by 'Charles Musser' , a noted film historian and authority on the films of the Edison Company.

Theatrical: 2003

Studio: New Line Home Entertainment

Genre: Comedy

Duration: 97

Summary: Elf is genuinely good. Not just Saturday Night Live-movie good, when the movie has some funny bits but is basically an insult to humanity; Elf is a smartly written, skillfully directed, and deftly acted story of a human being adopted by Christmas elves who returns to the human world to find his father. And because the writing, directing, and acting are all genuinely good, Elf is also genuinely funny. Will Ferrell, as Buddy the adopted elf, is hysterically sincere. James Caan, as his rediscovered father, executes his surly dumbfoundedness with perfect aplomb. Zooey Deschanel, as a department store worker with whom Buddy falls in love, is adorably sardonic. Director Jon Favreau (Swingers) shepherds the movie through all the obligatory Christmas cliches and focuses on material that's sometimes subtle and consistently surprising. Frankly, Elf feels miraculous. Also featuring Mary Steenburgen, Bob Newhart, Peter Dinklage, and Ed Asner as Santa Claus. --Bret Fetzer

Stills from Elf (click for larger image)

Theatrical: 1987

Studio: Amblin Entertainment

Genre: Action, Drama, War

Duration: 152

Summary: Based on J. G. Ballard's autobiographical novel, tells the story of a boy, James Graham, whose privileged life is upturned by the Japanese invasion of Shanghai, December 8, 1941. Separated from his parents, he is eventually captured, and taken to Soo Chow confinement camp, next to a captured Chinese airfield. Amidst the sickness and food shortages in the camp, Jim attempts to reconstruct his former life, all the while bringing spirit and dignity to those around him.

Theatrical: 2007

Studio: Discovery Films

Genre: Documentary

Duration: 99

Summary: Werner Herzog takes his camera to Antarctica where we meet the odd men and women who have dedicated their lives to furthering the cause of science in treacherous conditions. A scientist studies neutrinos, which are everywhere, yet elusive; he likens them to spirits. A researcher's nighttime performance art includes contorting her body into a luggage bag. A survival guide teaches his students to survive white-out conditions by wearing cartoon-face buckets over their heads. Animal researchers milk mother seals as part of their study. Volcanologists offer advice on what to do when a volcano erupts. A pipefitter shows us the anomaly in his hands that he says are a sign he descended from Atzec royalty. A former Colorado banker drives what he has christened Ivan the Terra Bus. An underwater diver shows his colleagues DVDs of apocalyptic sci-fi films like Them! (1954). And -- though Herzog declares he's not "making another film about penguins" -- we meet a penguin researcher who answers the filmmaker's questions about homosexuality and insanity in his subjects. We also meet an individualist penguin, who breaks away from the other birds to run toward the mountains, facing certain death.

Theatrical: 1998

Studio: Redline Ent

Genre: Action & Adventure

Duration: 130

Summary: This video is great and its classic, but what happened to the Under Pressure Song and Willy Santo's old song. I dont think they could get permession to use them and the under pressure song went perfect with the part.

Theatrical: 2003

Studio: Chinagraph

Genre: Documentary, Biography, Music

Duration: 110

Summary: In 1974, the New York City music scene was shocked into consciousness by the violently new and raw sound of a band of misfits from Queens, called The Ramones. Playing in a seedy Bowery bar to a small group of fellow struggling musicians, the band struck a chord of disharmony that rocked the foundation of the mid-'70s music scene. This quartet of unlikely rock stars traveled across the country and around the world connecting with the disenfranchised everywhere, while sparking a movement that would resonate with two generations of outcasts across the globe. Although the band never reached the top of the Billboard charts, it managed to endure by maintaining a rigorous touring schedule for 22 years.

Theatrical: 1974

Studio: Filmverlag der Autoren

Genre: Biography, Drama, History

Duration: 110

Summary: Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note; he later explained that he had been held captive in a dungeon of some sort for his entire life that he could remember, and only recently was he released, for reasons unknown. His benefactor attempts to integrate him into society, with intriguing results.

Theatrical: 1963

Studio: Daiei Studios

Genre: Drama

Duration: 82

Summary: Nemuri Kyoshiro, a youthful and cynical ronin with unparalleled skill, is approached by both sides in a game of corruption, ambition, and double crosses. The leader of the Kaga clan, who thinks he has killed his smuggling partner, fears that the shogunate will discover his illegal activities. He learns of evidence that will prove his guilt. Meanwhile, his partner is not dead, and, assisted by a master of Shorenji boxing, is looking for revenge and for his loot. The Kaga leader sends the beautiful Chisa to enlist Nemuri's aid. The unexpected happens: the hard-bitten Nemuri falls in love. Can he protect her, topple the criminals, and avoid the boxer's deadly skill?

Theatrical: 1973

Studio: Warner Home Video

Genre: Action & Adventure

Duration: 102

Summary: The last film completed by Bruce Lee before his untimely death, "Enter the Dragon" was his entrée into Hollywood. The American-Hong Kong coproduction, shot in Asia by American director Robert Clouse, stars Lee as a British agent sent to infiltrate the criminal empire of bloodthirsty Asian crime lord Han (Shih Kien) through his annual international martial arts tournament. Lee spends his days taking on tournament combatants and nights breaking into the heavily guarded underground fortress, kicking the living tar out of anyone who stands in his way. The mix of kung fu fighting (choreographed by Lee himself) and James Bond intrigue (the plot has more than a passing resemblance to "Dr. No") is pulpy by any standard, but the generous budget and talented cast of world-class martial artists puts this film in a category well above Lee's earlier Hong Kong productions. Unfortunately he's off the screen for large chunks of time as American maverick competitors (and champion martial artists) John Saxon and Jim Kelly take center stage, but once the fighting starts Lee takes over. The tournament setting provides an ample display of martial arts mastery of many styles and climaxes with a huge free-for-all, but the highlight is Lee's brutal one-on-one with the claw-fisted Han in the dynamic hall-of-mirrors battle. Lee narrows his eyes and tenses into a wiry force of sinew, speed, and ruthless determination. "--Sean Axmaker"

Theatrical: 2004

Studio: Home Box Office (HBO)

Genre: Comedy

Duration: 30

Summary: In this sitcom, the suddenly risen film star Vince Chase, a 'jeune premier' of humble origins, learns the ropes of the business and the the high-profile world of the wealthy happy few in and around Hollywood, but not alone: he brings form his native New York his atypical 'entourage (hence the title), not glitterati or professionals but a close circle of friends since childhood, and his professional agent finds they often make his job harder as the Queens boys not only sponge on the star but also have his ear, so Vince is much harder to counsel.

Theatrical: 2004

Studio: Universal Studios

Genre: En Español

Duration: 108

Summary: Screenwriters rarely develop a distinctive voice that can be recognized from movie to movie, but the ornate imagination of Charlie Kaufman ("Being John Malkovich", "Adaptation") has made him a unique and much-needed cinematic presence. In "Eternal Sunshine of the Spotless Mind", a guy decides to have the memories of his ex-girlfriend erased after she's had him erased from her own memory--but midway through the procedure, he changes his mind and struggles to hang on to their experiences together. In other hands, the premise of memory-erasing would become a trashy science-fiction thriller; Kaufman, along with director Michel Gondry, spins this idea into a funny, sad, structurally complex, and simply enthralling love story that juggles morality, identity, and heartbreak with confident skill. The entire cast--Jim Carrey, Kate Winslet, Kirsten Dunst, Elijah Wood, Mark Ruffalo, Tom Wilkinson, and more--give superb performances, carefully pitched so that cleverness never trumps feeling. A great movie. "--Bret Fetzer"

Theatrical: 1983

Studio: Recorded Picture Company (RPC)

Genre: Drama, Thriller

Duration: 130

Summary: Arctic prospector Jack McCann, after fifteen years of solitary searching, becomes one of the world's wealthiest men when he literally falls into a mountain of gold in 1925. Years later, in 1945, he lives in luxury on a Caribbean island that he owns. But his wealth brings him no peace of mind as he copes with Helen, his bored, alcoholic wife; Tracy, his dear, but headstrong, daughter who has married a dissolute, philandering social-climber; and Miami mobsters who want his island to build a casino. His life is entangled with the obsessions of those around him with greed, power, and debauchery against a background of occult symbolism.

Theatrical: 1970

Studio: Werner Herzog Filmproduktion

Genre: Comedy, Drama, Horror

Duration: 96

Summary: The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs.

Theatrical: 2002

Studio: Sony Pictures

Genre: Comedy

Duration: 224

Summary: To know the origin of "Snoochie-Boochies," you "must" spend "An Evening with Kevin Smith". The Jersey-bred "auteur" of low-budget comedy proves equally adept as an uncensored raconteur, regaling five college audiences--his most devoted demographic--in this two-disc compilation of lively Q&A. Sporting his trademark slacker garb, Smith occasionally bites the loyal, sometimes moronic hands that feed him (as a result, audience participation is drop-dead hilarious), but he's arguably the most publicly and personally honest filmmaker to survive the insanity of Hollywood. His best stories lift the veil of show-biz decorum, describing absurd meetings with studio executives over his ill-fated screenplay "Superman Lives"; razzing the artsy pretensions of director Tim Burton; or exposing Prince (who hired him to direct a never-completed documentary) as a self-absorbed Jesus freak. These attacks aren't baseless; Smith's too smartly good-natured to provoke without purpose, and with an onstage visit by Jason Mewes ("Jay" to Smith's "Silent Bob"), this ribald, sharply assembled "Evening" compares favorably to Richard Pryor with its outrageous blend of comedy and candor. "--Jeff Shannon"

Theatrical: 2006

Studio: Sony Pictures

Genre: Comedy

Duration: 239

Summary: While watching "An Evening with Kevin Smith 2" (let's skip over that stupid subtitle, shall we?), you may ask yourself, "Why should I give a **** about anything Kevin Smith has to say?"--and then you'll be laughing in agreement with a lot of what he says. For better or worse, the potty-mouthed creator of "Clerks" and "Dogma" is an expert at combining his own "View Askew" perspective with stand-up comedy and ribald Q&A with (mostly) appreciative audiences. The novelty here is that Smith (now looking richer and more custom-tailored than he did on the cover of "An Evening with Kevin Smith ") is equally at home with fans in Toronto and London, where his cross-cultural observations inform much of their humorous interaction. Whether he's discussing the "X-Men" movies as homosexual allegory, recalling how his wife caught him masturbating to pictures of her that he shot for Playboy, or making prescient observations about Mel Gibson's career meltdown (just a few of the many topics covered here), Smith remains admirably frank about his fan-base, his limited skills as a filmmaker, and his counter-cultural status as a chubby fan-boy who made good in Hollywood. Even when he tests your tolerance with opinions best kept to himself, Smith is a focused observer of his own milieu, willing to expose his insecurities while refusing to suffer fools in his audience (and there are more than a few).






























As with his previous stand-up DVD, Smith welcomes frequent (and now drug-free) costar Jason Mewes onstage for some extreme (and extremely funny) sex-talk, including demonstrations of Mewes' "half-half-whole" technique (don't ask), and later (as a disc 2 bonus feature) approaching young London women with a the kind of pick-up lines (like "Let me get up in them guts") that only a guy like Mewes could get away with. Dropping F-bombs like there's no tomorrow, Smith is crude but intelligent (nobody makes it on luck alone), and this two-disc set will satisfy established fans and would-be converts alike. Likewise, Smith-haters will find nothing to change their minds, since Smith occasionally comes across as smug and self-satisfied, even when he's really not. What matters here is the humor of a self-effacing guy who's never quite sure if he deserves his own success. That puts Smith on even terms with his fans, and it's that dynamic, more than anything else, that makes these concerts a whole lot of fun. --"Jeff Shannon"

Theatrical: 1998

Studio: Arcturus Motion Pictures

Genre: Documentary, Short

Duration: 44

Summary: An international team of climbers ascends Mt. Everest in the spring of 1996. The film depicts their lengthy preparations for the climb, their trek to the summit, and their successful return to Base Camp. It also shows many of the challenges the group faced, including avalanches, lack of oxygen, treacherous ice walls, and a deadly blizzard.

Theatrical: 1983

Studio: Starz / Anchor Bay

Genre: En Español

Duration: 85

Summary: In the fall of 1979, Sam Raimi and his merry band headed into the woods of rural Tennessee to make a movie. They emerged with a roller coaster of a film packed with shocks, gore, and wild humor, a film that remains a benchmark for the genre. Ash (cult favorite Bruce Campbell) and four friends arrive at a backwoods cabin for a vacation, where they find a tape recorder containing incantations from an ancient book of the dead. When they play the tape, evil forces are unleashed, and one by one the friends are possessed. Wouldn't you know it, the only way to kill a "deadite" is by total bodily dismemberment, and soon the blood starts to fly. Raimi injects tremendous energy into this simple plot, using the claustrophobic set, disorienting camera angles, and even the graininess of the film stock itself to create an atmosphere of dread, punctuated by a relentless series of jump-out-of-your-seat shocks. "The Evil Dead" lacks the more highly developed sense of the absurd that distinguish later entries in the series--"Evil Dead 2" and "Army of Darkness"--but it is still much more than a gore movie. It marks the appearance of one of the most original and visually exciting directors of his generation, and it stands as a monument to the triumph of imagination over budget. "--Simon Leake"

Theatrical: 1987

Studio: Starz / Anchor Bay

Genre: Comedy

Duration: 84

Summary: Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy "Evil Dead" isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's "Dead Alive". "--Dave McCoy"

Theatrical: 1984

Studio: Korty Films

Genre:

Duration: 96

Summary: This is two movies in one. The Ewoks are adorable. If you didn't get enough Ewoks in "Star Wars: Return of the Jedi" then you have over 2 hours of them in this DVD!

Theatrical: 1985

Studio: Lucasfilm

Genre:

Duration: 94

Summary: This is two movies in one. The Ewoks are adorable. If you didn't get enough Ewoks in "Star Wars: Return of the Jedi" then you have over 2 hours of them in this DVD!

Theatrical: 1977

Studio: Shaw Brothers

Genre: Action, Drama

Duration: 98

Summary: A couple unite - she is fluent in the crane style of kung fu, he in tiger style. They have a son, but the boy's father is killed by the evil eunuch Bai Mei. Disguised as a girl, his mom trains him in crane style while he secretly learns tiger style from his father's training manual.

Theatrical: 2005

Studio: Hbo Home Video

Genre: Comedy

Duration: 30

Summary: The British phenomenon and 2007 Emmy-winner Ricky Gervais, founder of BBC's original The Office, stars in the hilariously funny series Extras, now available in a Gift Set! Watch the story unfold as Ricky Gervais plays a lowly film extra, Andy Millman, who makes his mark in the background while the stars do their work. This Gift Set is packaged in a slip case that includes both Seasons of the hit series Extras and a 90 minute series finale, never before released on DVD! Extras: The show with big, big stars...and Andy Millman.

Theatrical: 1999

Studio: Hobby Films

Genre: Drama, Mystery, Romance, Thriller

Duration: 159

Summary: A doctor becomes obsessed with having a sexual encounter after his wife admits to having sexual fantasies about a man she met and chastising him for dishonesty in not admitting to his own fantasies. This sets him off into unfulfilled encounters with a dead patient's daughter and a hooker. But when he visits a nightclub, where a pianist friend Nick Nightingale is playing, he learns about a secret sexual group and decides to attend one of their congregations. However, he quickly learns he is in well over his head and finds he and his family are threatened.